Excerpt for Twenty-three by Robyn J. Williams, available in its entirety at Smashwords

Twenty-three


Poems 2005-2011


Robyn J. Williams



Copyright © Robyn J. Williams 2011

All rights reserved


Cover Image: “Aftermatter” by Robyn J. Williams


Smashwords Edition


All rights reserved. No part of this book may be reproduced or altered in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

This is a work of fiction. Names, characters, places and incidents are the product of the author’s imagination or are used fictionally, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.


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Dedicated to my parents,

Chris and Linda

For not throwing me out of the house when I said “I want to be a poet when I grow up”.



All There Is


There aren’t many poems about

The universe there is enough to write about

Here enough to figure out here

It is hard enough to pick up on

the language of trees and

the moods of the clouds

That aren’t moving across a flat sky,

y’know.

There is enough to say about this place and

its oceans and

its mountains and

its deserts and

its plains and

its creatures

Such as us.

Yes

there is enough to say about us and

our famines and

our riches and

our sex and

our drugs and

our wars and

our feelings about this

and that

and our new coffee machines

and our hybrid cars

and our internet spies

and our edited to the point of fiction

History.

Or herstory if you want to brand yourself

That new breed of feminist

I so despise.

Yes

there is enough to say already

Here about the flights of eagles

About the way steel cuts into the sky

About my new knee-high boots and

beret

There is enough to say about

LOVE

to fuel a thousand generations

of poems

And yet I find myself looking up and wondering


IS THIS ALL THERE IS?



The Great Performance


On a quiet Monday afternoon

One can see

The circus performers out of character

But still pretending

Smiling as though flowers in

Symmetrical cement pots

Are a fair trade for a new

Starbucks and

That those dogs on leashes appear

Happy and

That a strong economy will

Save our souls

They are acting

And I am acting as if I don’t notice

As if their SUV’s really will

Take them somewhere

As if their double espressos really will

Wake them up

As if my photographs really will

Capture something

As if my words really will

Change your mind



Lunchtime Epiphany


Negatory, Bob


The cats walking the electrical wires


Above us have all the answers


And the fire in my belly


Demands justice


Here, in the real world of


Hardboiled eggs and softshelled crab


Lives the pervasive stench


Of hope



On Forgiveness


You will be told many times

That you must forgive to be free

not true

You must only let go

To ensure another’s crime

does not hold you prisoner

But, if ever they extend their hand to you again

Feel free to slap them with yours



Greatest Threat


Absurdity and the surreal

turn out their pockets

and laugh

As normalcy sits pouting in the corner

squandering air and

the shiniest rocks

Its minions, well-armed, marching

gassing out its dancing foes


Joy is the greatest threat

to dominance



A Woman’s Hips


A woman’s hips will always reveal

much more than she’s likely to willingly share

Whether they swing or hold steady

mother or

dancer or

waitress or

whore

If you pay attention, you’ll notice

their desire (or lack of) for hands to help set their pace

Their desire (or lack of) for the weight of a child

If you pay attention, you’ll notice

the subtle clues her hips can’t help but betray

An impatient shift while waiting for coffee


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